Central Avenue & Gates Avenue, Brooklyn · Data print · 1/1
The work
About this work
Viewed from above, three vehicle forms converge at a compressed red center. Yellow, orange, and gray diagonals extend beyond the encounter, while a pale curve separates the right edge. The elevated viewpoint turns the street into a field of intersecting forces.
Micah Dukes, 29, was a back-seat passenger in the crash at Central and Gates avenues. Prosecutors said the driver was fleeing police and went through a red light; she later died. Her presence in the record gives the image’s abstract geometry a consequence beyond its formal balance.
For each data print, another documented crash acts on that painted language: direction, movement, and relationships between people and vehicles shape the composition. Freedman uses AI in the studio to develop these translations, then vets and selects the works. From roughly 1,200 images, only a few become physical prints. Each holds one event in view, asking for sustained attention to an individual loss within the city’s larger record.
The physical work
Color, surface, and an edition of one.
Printed edge-to-edge at 17 × 17 inches, each giclée uses Epson pigment inks on Hahnemühle German Etching paper. The textured matte surface carries brilliant color, subtle tonal shifts, and fine detail.
Each image is a unique print, numbered 1/1. No second print of this specific image will be made.