Taking Moments to See: Sketching Through DC

Taking Moments to See: Sketching Through DC

Traveling with my brush pen is like carrying a quiet observer in my pocket. It asks for nothing but offers everything: a chance to pause, to take a moment that might otherwise blur by in the rush of a trip, and hold it still.

Drawing forces me to see differently. Where a quick photo might capture a snapshot, sketching slows time down. It makes me notice the lines of a building, the rhythm of bare tree branches, or the way light pools on water. Each stroke is a meditation, an attempt to understand a place rather than just pass through it.

On a recent trip to DC, my brush pen and I found four moments worth holding onto.

The Monument Above All

The Monument Above All

The Washington Monument is one of those structures you can’t escape. It cuts through the sky and reflects perfectly in the pool below, symmetrical but somehow unsettling. Drawing it was a study in simplicity and contrast—just a single towering line surrounded by the geometry of trees and water. I couldn’t help but marvel at how this one structure commands the entire cityscape, a constant in a world of shifting perspectives.

Light Through the Station

Light Through the Station

Union Station is a cathedral of movement, light, and waiting. Its grand window grid caught my attention first, a puzzle of lines and geometry. Sitting there, waiting for a train, I drew the space as it unfolded before me: a study in elegance, where even the thin, delicate lines of my pen felt reverent. There’s something humbling about capturing a space built to move people, while I sat still, completely absorbed in the play of light and shadow.

A Contemplation of Courage

A Contemplation of Courage

The Lincoln Memorial isn’t just a place; it’s an experience. Surrounded by trees, it feels like a temple to reflection. I’d been thinking about Lincoln’s legacy, about the courage it takes to lead through crisis. Drawing his memorial, I found myself drawn to the contrast between the permanence of its marble columns and the fleeting nature of the surrounding trees. It was a moment to contemplate: what stands firm, and what changes?

Modern Lines, Wild Colors

Modern Lines, Wild Colors

The Kennedy Center felt like a celebration of contrasts. Its clean modern lines sit beside a burst of natural wildness—the trees and water surrounding it in their fall colors. In Europe, monuments often dominate their surroundings; here, nature seems to embrace the Kennedy Center. Capturing both felt like a balance: the structured and the untamed, a harmony uniquely American.

Seeing More, Feeling More

Traveling with a brush pen slows me down in the best way. It turns a busy trip into a collection of quiet moments, each sketched into memory. Drawing isn’t just about making art—it’s about taking the time to truly see, to experience a place on a deeper level.

Next time you travel, I recommend bringing along something to draw with. You might be surprised at how much more the world reveals when you take a moment to capture it.

Back to blog

Leave a comment

Please note, comments need to be approved before they are published.